Showing posts with label Week 9. Show all posts
Showing posts with label Week 9. Show all posts

Sunday, March 27, 2016

Week 9 Reading Diary, cont.: Palace of Illusions

reading: Part C of The Palace of Illusions by Chitra Banerjee Divakaruni (2008)

So...that went differently than I expected. I could see it heading that direction (partly because I'd skimmed ahead through the next chapter), which curtailed my Storytelling for this week, actually. Originally I was going to have Draupadi offend her father by coming out as polyamorous (hence the five husbands), but that's not really how the story goes.

In Divakaruni's version, there's an undercurrent of Draupadi actually being in love with Karna -- not that she's ever truly met him. At this point, the brothers are distant from her, and Kunti is more of a monster-in-law who just wants to maintain emotional control over her sons. I'd envisaged Draupadi's relationships with the Pandavas as like that between Rama and Sita (at least before Sita's kidnapped), where they're all loving and devoted to each other and help each other through tough times. The reality is completely different, at least in this novel, which is kind of disappointing and depressing.

On the other hand, the palace intrigue angle is likely more realistic. True to the rest of the epic, the Pandavas and Draupadi have more to worry about than their true interpersonal relationships, given that one side of the family is trying to kill them and the outcome of the family feud determines the fate of an entire country, etc. I had a fairly idealized view of the Pandava family going into this novel, and it's pretty well crushed now.

scenes from the Mahabharata surrounding the Pandava brothers' marriage to Draupadi
from manuscript, c.1800 (Wikimedia Commons)

Friday, March 25, 2016

Week 9 Storytelling: On Raising Children



The worst thing a child can do is defy their father.

This doesn’t apply to all of my many children; most grew up well-behaved. They followed the family’s rules, they did well enough in school, they married a good spouse, settled down and began to raise their own families.

But then Sandy ran away. She was towards the younger end of the pack, a quiet girl. I thought I knew her well, until she left. None of us heard anything from her for years. She was just sixteen, and we didn’t even know why she’d run off.

She eventually came back, years later, but she said she was no longer Sandy. She came back as Sam, a tough, slightly troubled…man. We were shocked. Sandy had run away to change her identity. I tried to welcome her back – she is my daughter, after all – but it was uncomfortable. The family couldn’t – I couldn’t – see her as who she’d become.

My two youngest, though, they accepted Sam without much question. I guess they hadn’t really known Sandy before, as they were the “surprise babies,” born when all their siblings were already teenagers and older. They were thrilled to meet this new sibling, someone who could talk to them of far-off travels and life outside our small, rural town.

The twins were, of course, our last two children, and on them rested all the expectations of perfection. We’d raised so many other good children, how could these two possibly go wrong? We just knew they would do us proud. As Drew and Dede grew up, they proved to be whip-smart and generally well-mannered, respectful kids.

I could tell that our expectations for Drew didn’t sit well with him, but he manned up and accepted them anyway. With Dede, it was more difficult. She could be quarrelsome, resistant to authority, impatient to the point of rudeness. She was a tomboy. She wanted to do everything her twin brother did, even the things that weren’t meant for girls.

I despaired of her making a good match, once she was old enough. I figured she’d resist me against anyone I nudged her towards. But I was wrong. She liked this Cameron guy who she’d met online, a kind of brooding man with a past he didn’t want shared. I thought a much better match for her would be Arthur, someone local who we’d known of for years and whose business acumen would be both a good alliance for our family and provide a strong financial basis on which to raise their own children. I could tell Dede didn’t really like the idea at first, but eventually she dropped Cameron for Arthur.

I guess my children aren’t that defiant after all.


(image of Draupadi)


Author's Note: I based my story this week off of Chitra Banerjee Divakaruni's retelling of the Mahabharata, a novel called The Palace of Illusions. I was struck by her descriptions of King Drupada's children, contrasting the normal girls of the palace with the character depth and unconventional bents of Draupadi and Shikhandi. Dhri is a bit more conventional, but still he's troubled by what he knows and accepts is his fate. It occurred to me that for Drupada, these three children are probably difficult for him to understand. They're not like the others; they're more complex, more questioning, possibly more defiant, and these characteristics can't sit well with a deeply traditional, authoritarian father, be he a king or any other regular patriarch.

Bibliography:
Chitra Banerjee Divakaruni, The Palace of Illusions (2008). 
"Pleasing," by Raja Ravi Varma, undated (Wikipedia). 

Wednesday, March 23, 2016

Week 9 Reading Diary, cont.: Palace of Illusions

reading: Part B of The Palace of Illusions by Chitra Banerjee Divakaruni (2008)

This novel is everything I question in the Mahabharata. The gender roles -- especially the position of women -- the inevitability of fate, the devotion to following conscience, morals, rules. She captures perfectly the melancholy sense of feeling in the epic of having to go along with fate and what's dictated/proper, knowing that doing what's right is going to lead to unforeseen consequences further on. It's depressing and excellent all at the same time.

I was thrilled to see Sikhandi pop up. I'd pretty much forgotten about her; I think the Narayan version just kind of dropped that whole Amba side plot, but the Epified videos included her in more depth. Her story is the epitome of the epic literature's sense of "this may seem unfair, but it's necessary," given the cultural context and way things have to eventually play out. She's stuck in terrible situations, is still a strong figure, and doesn't seem too bitter about everything even as she's dedicated to seeking revenge. It's a crazy kind of mindset to think about, but it's so typical of the characters in these epics.

The Karna angle is also interesting. There's so many hints for what's coming for Draupadi, but at the same time, her attraction to Karna is a different twist. I want to helpfully warn her and smack her all at the same time. Divakaruni does a great job of bringing out both the princess's strength of independent will and also her flaws of impatience and pride. Draupadi isn't the most perfect or likeable character, even as readers root for her. It's a pretty realistic portrayal.

Dhrishtadyumna announces Draupadi's swayamvara

Friday, March 18, 2016

Week 9 Reading Diary: Palace of Illusions

reading: Part A of The Palace of Illusions by Chitra Banerjee Divakaruni (2008)

I'm sooo happy to have an excuse to read novels for class!!! Really, it's a nice way to finish up spring break. I haven't been able to do fun reading in a while, so I appreciate the chance to combine novels and classwork. I've read one of Divakaruni's more recent novels, Oleander Girl, and enjoyed it, so I've been looking forward to starting this one as well.

Divakaruni is a writer after my own heart with the premise of this book. She questions the portrayal of women in the Indian epics, how they are strong figures but brought out only when they have important interactions with the men. Draupadi is like every other historical fiction heroine: modern before her time, feeling like she's socially on the fringes, questioning women's roles, education, etc. -- but at the same time, isn't that what we want to read about her challenging?

Annnd it looks like Divakaruni is, perhaps inevitably, going to start exploring the whole fate thing. Draupadi is already questioning how unquestioningly everyone goes along with what their roles should be, with what the characters are told they must do according to prophecy and whatnot. I can't wait to see how this question is resolved, if it can be.

Also, I've discovered that I cannot for the life of me keep all these names straight. Three versions of the Mahabharata in, and I couldn't remember everyone's relationships and even had to double-check that Arjun is one of the Kaurava oops, Pandava (see??!!) brothers...

Draupadi Amman figure from Alandur (Wikimedia Commons)

Note: I originally planned to start the second half of the semester with Breaking the Bow, but I acquired a copy of Divakaruni's novel before I could get the anthology, so I'm swapping the two in order.